Cinematography Reel 2024
A lover of saturated colors, textured frames, and hard lighting, O’Connor is an enthusiastic experimenter. As a vintage glass nerd, he primarily uses Pentax Takumars, Carl Zeiss Jenas, and— obviously— the Helios 44. O’Connor wishes to make the frame look lived in and worn. However, story is king, and when a story dictates cleanliness and sharpness, he’s game. But the world of the frame must feel lived in and grounded, no matter what.
"Vicarious" (Short Film) (2025)
"Vicarious" (Short Film) (2025)
"Vicarious" (Short Film) (2025)
"Vicarious" (Short Film) (2025)
"Vicarious" (Short Film) (2025)
"Day 777" (Short Film) (2025) Dir. Carmen Chavez
"Day 777" (Short Film) (2025) Dir. Carmen Chavez
"Day 777" (Short Film) (2025) Dir. Carmen Chavez
"Poor Condition" (Experimental Short Film) (2024)
"Poor Condition" (Experimental Short Film) (2024)
"Poor Condition" (Experimental Short Film) (2024)
"Poor Condition" (Experimental Short Film) (2024)
"Poor Condition" (Experimental Short Film) (2024)
"MAW" (Short Film) (2024)
"MAW" (Short Film) (2024)
"MAW" (Short Film) (2024)
"MAW" (Short Film) (2024)
"MAW" (Short Film) (2024)
"People People" (Short Film) (2022)
"People People" (Short Film) (2022)
"People People" (Short Film) (2022)
"People People" (Short Film) (2022)
"People People" (Short Film) (2022)
"People People" (Short Film) (2022)
"People People" (Short Film) (2022)
"Flecks" (Experimental Short Film) (2025)
"Flecks" (Experimental Short Film) (2025)
"Flecks" (Experimental Short Film) (2025)
"Flecks" (Experimental Short Film) (2025)
"Flecks" (Experimental Short Film) (2025)